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Fable eventually was released in 2005 to high anticipation, but the game failed to live up to Molyneux’s sky-high aspirations. The game earned acclaim for its real-time combat and various methods of dispatching foes, but the morality system was much more limited than originally pitched (good and evil were the only really distinctive ways to progress in the game) and a number of features such as the children component were missing. The abilities to impact the story and the world around you were disappointingly limited as well. But despite these problems, Fable was still received with enough praise that it became a full-fledged series, with Fable II dropping in 2008 and Fable III in 2010.

Peter Molyneux has created a number of legendary titles since he began making games in the '80s, earning numerous accolades and pioneering one of the most important genres in gaming history. But his ambition has become somewhat infamous over time; he’s always reaching for creative new ways to play and experience games, but almost always misses the target in some way, shape or form. And Molyneux’s eagerness to innovate is no secret (he’s admitted it himself): he’s formed a recurring theme for anything he’s made. Peter Molyneux refuses to settle in the current environment of gaming; whether it’s good, bad or in between, the Lionhead visionary has never stayed in one place in the industry. He loves the future, but can never reach it. He hates the past, but can never embrace its strengths. Welcome to the Molyneux Paradigm.

The stakes don't get much higher than trying to prevent a race of synthetic beings from wiping out every last trace of intelligent life in the galaxy. That's the task that falls to Commander Shepherd in Bioware's Mass Effect trilogy, which is set a long way into the future after humanity has managed to tentatively establish itself in the hierarchy of the Milky Way's alien races. This beautiful and expansive science fiction epic captured the hearts of gamers, and with the right director on board could capture the hearts of moviegoers as w

The combat mechanics played a big part in creating an enjoyable game, but a lot of the fun came from just exploring the world and seeing what sort of trouble one could get into. The goal of the hero was to gain fame, which was measured by their renown which was acquired by completing quests and the reaction of the NPCs was determined by the character's alignment, which was also influenced by their actions. Good characters would seem to develop a bright aura around them and a halo, while evil characters would grow horns and attract pestilence. The NPC behaviors weren't quite as unique as early claims from Project Ego days would have you believe, but they did react based on those factors, though just about everyone gave the same reaction based on the hero's current renown and alignment.

With prosthetic limbs becoming ever more advanced, the world of cyberpunk shooter series Deus Ex is starting to seem like a realistic vision of the future. As human beings start to use technology to evolve their own biology, the player is faced with some hard choices regarding what the future of the human race should look like, and how it should be governed. The original Deus Ex is still the pinnacle of the series, but Deus Ex: Human Revolution was the title that really demonstrated just how great a movie adaptation could l

Fable was one of those titles that caught my attention well before its release in some article in a Adventure game Online guide magazine back when paper gaming magazines were still in abundant supply. How far exactly before the release is uncertain, but I want to say it was well over a year before Fable's launch, possibly even as far back as 2002 or 2003 when it was still called its working title Project Ego. Open world gameplay has practically become the standard in modern game design, but this was not the case in the early 2000s.

While Molyneux’s inventive mindset gave rise to the "god game" genre (a genre loved by many a PC gamer), he’s also earned himself a number of negative connotations with how he promotes his games. It’s become a running joke that Molyneux tends to hype up any project he invests in to absurdly high levels, only to have the games miss their mark in one way or another. Fable became one of the most noteworthy examples of this "Molyneux Paradigm." During the game’s development, Fable was regarded by Molyneux and Lionhead as a paramount innovation in role-playing games. Using more open-ended role-playing elements like morality and personal alignments was pitched as this rejuvenation of the role-playing idea, a way to give players more options in creating an avatar and playing to their liking. Molyneux himself even referred to Fable as what would be "the best game ever" during the development.

The final new feature in Fable Anniversary (besides achievements) is that of SmartGlass, something that is weighing heavier and heavier in overall experience these days. As admitted by Lead Designer Ted Timmins, it was basically implemented here as way to test the technology’s capabilities for future implementations. Thanks to that, there are actually a few interesting features that the app offers. Unsurprisingly, it’s basically an interactive map, but they’ve worked with Prima to also provide the locations of key items and characters (without going into too much detail). While this may seem a bit like cheating at first, it’s helpful enough only to ensure that you won’t get lost and makes it so you won’t result to using a full-blown strategy guide.