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Sure, you see the hero grow from a child to an adult, but the childhood lasts about five minutes and adolescence no longer than ten. The rest of the game simply sees you controlling your average adult warrior. There are also elements like marriage and family drama that come into play that never realize their full potential. Instead of being an experience where you truly assume the role of another being, it’s built like an average RPG with some nifty life-building elements thrown in. Still, it’s a criticism of the game as old as time itself (or at least the Xbox 360) and the important thing is that the game is still enthralling all the way through.

As we mentioned in our previous video, " Movies You Didn't Know Were Shaped By Video Games ", Crank is modelled after the insanity of games like Grand Theft Auto . In turn, Grand Theft Auto was heavily influenced by classic crime movies like Heat , Scarface and Goodfellas . So why not keep the cycle going by making a Grand Theft Auto movie, complete with all of the violence, satire and gleeful immorality that made the video game series such a hit. With a dream director like Michael Mann, Martin Scorsese or Robert Rodriguez behind the wheel, Grand Theft Auto could take over movie theaters as successfully as it took over games conso

If there ever was a game designer that should not talk about his games prior to their release date, it's Peter Molyneux. When discussing his projects, Molyneux has a childlike sense of excitement where he will enthusiastically share details on his grand ambitions for the title. This is actually quite refreshing in itself, because who doesn't enjoy hearing someone passionately discuss their creative projects? The problem with this occurs when the Adventure Game Mounts in question is actually released. The game itself could be good, even great if it were simply judged for what it is, but disappointment is going to happen when a title fails to deliver on lofty promises no matter how good it may otherwise. The most memorable example of Molyneux creating hype that the game couldn't live up to was 2004's Xbox exclusive action RPG Fable.

Based on the Fables comic books by Bill Willingham, The Wolf Among Us is a cool, noir detective story with a fantasy twist. When characters from fairy tales are exiled to live in the human world, the Big Bad Wolf changes his ways and becomes Sheriff Bigby Wolf, the lawkeeper of Fabletown. After discovering the horrible murder of a young woman, Bigby embarks on a desperate hunt for a serial killer and along the way finds himself digging deeper into the corruption and organized crime at the heart of the Fable community. It's a tense story with plenty of interesting characters, and it has the potential to be a great crime thriller movie - with a talking pig as a bo

With prosthetic limbs becoming ever more advanced, the world of cyberpunk shooter series Deus Ex is starting to seem like a realistic vision of the future. As human beings start to use technology to evolve their own biology, the player is faced with some hard choices regarding what the future of the human race should look like, and how it should be governed. The original Deus Ex is still the pinnacle of the series, but Deus Ex: Human Revolution was the title that really demonstrated just how great a movie adaptation could l

Of course, it’s no secret that Fable is a great game, so the most important aspects of this release is if it's aged well (read above) and the quality of the port. Simply put, the result is leaps and bounds above the original. Fidelity, special effects and lighting have all improved and it’s clear to see the differences in almost every area. Upgrades to characters and building exteriors are the most noticeable, with faces seeming more realistic and less pixelated and buildings revealing never-before-seen nuances. Even trees in the backgrounds and leaves on the pathways of villages are more detailed. Everything has a smooth look which gives it a nice overall aesthetic comparable to other Xbox 360 games. The only flaw in the new look is that sometimes things can be a bit too smoothed over and come across a little smeary. Sometimes the sharp edges of the original helped to keep objects separated, something that can sometimes be a problem here. The other continually noticeable boost is the lighting, with plenty of new shadow effects and nuances between different lighting situations, where as before things were basically light or dark. Overall, while it’s not perfect and hampered by the fact that practically every Xbox 360 game now looks long in the tooth, it’s certainly the preferable way to experience the game — nostalgia or not.

Besides combat and travel, there are plenty of other motion-based opportunities throughout Albion. Activities like corralling chickens, lighting lanterns and moving obstacles may seem mundane, but serve to enrich the experience, making sure there’s always a fresh task to keep players interested. Most of these secondary actions have their own unique movements to avoid redundancies. Not content to let your arms have all the fun, there will be times where multiple paths can be selected from by bending your torso left or right. With all the different movements, it’s clear Lionhead was content on utilizing the full potential of motion-control.