The 2014 Winter TV Premiere & Return Schedule > 자유게시판

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January starts off with the highly-anticipated premiere of Community season 5, and then the world of television jumps backs in to gear as all of your favorite shows begin making their return from the holiday hia

Noted for its tense atmosphere and disturbing imagery, Little Nightmares is a unique entry in the horror genre thanks to its focus on platforming. Not all critics were in love with its core gameplay, but many agreed that it's still an experience fans of the horror genre should go out of their way to check

There will be several different killers in the game, each loosely based on different classic horror movie villains, but only one was featured in the PAX demo, a hulking Jason-like with a machete and bear traps. As the killer, you can always see where the generators are, so you have a good idea at least where to patrol. If a survivor makes a loud noise, like from failing that generator prompt, a prominent icon shows up onscreen giving you the exact location. Likewise, when a generator is fixed, it turns on and gets highlighted in your view. Show up to the generator and see a fading red trail leading away and you know a survivor is very close. Chase them down and give them a good slash and you’ll injure them, making it much easier to catch up with them again later. A second slash will down them, making them eligible to be picked up and carried to a meat hook to be "sacrificed" upon death as tendrils take them away. The whole concept of needing to hang the survivors up on a hook instead of just killing them right then and there is a little silly, of course, but it provides good tension for the game on both sides.

What should be a relatively uneventful job takes a turn for the demented, as the player is harassed and pursued by animatronic animals that appear to be possessed. It may rely heavily on jump scares, but there's no denying Five Nights at Freddy 's ability to genuinely scare its fans, and it's all backed up by some interesting, expansive, and surprisingly deep l

The holidays are now over, and 2014 is upon us, and with it comes a television premiere/return schedule even more complicated than in the fall. As old and new favorites return from break, even more old and new shows will begin to premiere, and it will be up to you to decide what to and, more importantly, what not to wa

While playing as a survivor is tense and filled with spikes of adrenaline, playing as the killer is intoxicating. Even in the multiplayer lobbies, you have the distinct advantage: as a survivor, you’ll spend time in the lobbies together standing idly and choosing passive perks like additional fog to make it harder for the killer to see you; as the killer, you stand out of the survivors’ view, watching. You study them, getting to see what each survivor looks like and exactly which perks they’re bringing in. From the jump, the game makes it clear that the killer is probably going to win.

It may be a little on the cheesy side, but The Evil Within 2 is still a step above the original game in almost every way imaginable. Refining the Resident Evil 4 -style of survival-horror, The Evil Within 2 offers some classic horror action combined with open world sections that help it stand apart from other games in the genre. As we noted in our review for The Evil Within 2 , the SLG game collectibles is easily one of the best survival-horror games in years, and even those disappointed by the first one may want to give the sequel a s

March and April may not hold as many options as previous months, but there are still quite a few good picks available. Suits returns to USA; Whose Line Is It Anyway? proves what works, works (even on the CW); PBS finally premieres the BBC mini-series Mr. Selfridge starring Jeremy Piven; Orphan Black returns to BBC America; and Game of Thrones season 4 premieres… at some po

Premiere Picks: Helix (Syfy) from Battlestar Galatica creator Ronald D. Moore; True Detective (HBO), starring Matthew McConaughey and Woody Harrelson; Sherlock (PBS) season 3; Black Sails (Starz); and (A&E) and BBC America’s Fleming: The Man Who Would Be Bond mini-ser

Though the game is played in third-person view for survivors, you’ll play in first-person as the killer. Côté explained that the shift here is about focus. As a survivor, you’re focused on keeping an eye out for the killer. When you’re fixing a generator, you can spin the camera around to make sure he’s not sneaking up on you. If he does, though, you’ll be able to see a red glow wash over the immediate area behind your character. Not only does a third-person camera divorce you from the action so you get the same sympathetic feeling you’d get watching the victims of a slasher flick, but the pulled-out view offers a tactical advantage you sorely need as a survivor. As the killer, you don’t need the advantage. The first-person perspective gives you tunnel vision as you hunt your targets, which doesn’t just make the action more personal; it effectively reduces your vision cone and makes it easier for the survivors to escape. This led to incredibly close calls during my round as a survivor when I managed to lose the pursuing killer for the briefest of moments, then dodge into a cabinet and watch him pass by. When I played as the killer though, that same situation in reverse made it crystal clear how important it is as a survivor to slow down and not leave a trail as I threw open the cabinet doors and wrenched the terrified survivor out.