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The world of the sequel has also become much darker than the first time we visited it. The narrative is more grounded this time around, but with the Divine being dead and the Void growing things are much more desolate and dismal this time around, though with the greater emphasis on doom and gloom the distinct narrative voice we have come to know from Larian studios remains in place. In addition to the humans and humanoid races, information may also be gathered by communicating with spirits and animals. The battle engine will feel familiar to players of the original, though certain tweaks have been made such as the ability to combine elements such as fire and poison when one of those agents of death just doesn't seem like quite enough. Additionally, blessing and cursing areas can alter the very ground combat is taking place in, incurring bonuses or penalties to whoever sets foot in the effected area.

Set roughly a thousand years after the events of Divinity: Original Sin, the story begins with all the Origin characters along with the player and other NPCs on board a ship taking them to the prison island of Fort Joy, guilty of all being able to use the power of source like Rivellon's equivalent of a witch hunt. Source was declared an evil force, and all sourcerers have been rounded up and fitted with source muting collars to prevent them from unleashing their powers, which is quite a reversal of circumstances from its predecessor where the player took on the role of a source hunter. The time on the ship serves as an introduction, a way for the player to get comfortable with the mechanics of the Slg Game Strategy and get a sense of the story. They are free to explore the ship and get a feel for interacting with NPCs and combat. This sequence will end the same way regardless of the player's choices, and that end is unfortunately on Fort Joy, possibly the most ironically named place in Rivellon. Escaping from Fort Joy is the primary objective, but the speed at which this task is completing and how exactly the player goes about this is entirely up to the individual.

The player is free to create a custom original character to fit their own design as was the case in its predecessor, but the option of selection a premade character with an origin story is available. These characters come with their own unique background that are closely linked to the main narrative. Origin story characters not selected by the player can still be encountered as NPCs and possible join the character's party. The origin story will be an evolving element of the character that is shaped through completion of origin story quests. The specific origin stories will influence how the inhabitant of Rivellon react to the player and will provide additional dialog options. There are currently four origin stories available in the Early Access with the plan to add more as the game continues to develop. To give an example of what makes origin stories unique, the character Lohse has an entity that communicates with her, something akin to demonic possession mixed with schizophrenia. It is possible for Lohse to enter a state of temporary insanity if she fails to win a challenge against this thing that dwells within her.

A party built for mixed physical and magic damage could consist of a Cleric, Ranger, Conjurer, and Enchanter, or two other types of magic users. A group built for magic damage might have two characters with points in Pyrokinetic and Geomancer Combat Abilities, one Support character, and one Summo

Scrolls are helpful, but they're also consumable. Players may also combine items to create Skillbooks, and then memorize the spell. Combining a Tornado Scroll with an Aerotheurge Skillbook will result in a Tornado Skillbook. A Haste Scroll and a Pyrokinetic Skillbook will result in a Haste Skillb

On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.