Şemdinli İddianamesi/Patlama Olayından Sonra Konu ile İlgili Bazı Tanık Beyanları (Mehmet Ali Altındağ) > 자유게시판

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The first drawing to appear in his notes is a hastily-sketched plan of the early medieval Deyrulzafaran, "the saffron monastery," located outside of Mardin. Underneath he has copied the Syriac inscription that he found above the door. A few days later and a few pages further, we find a drawing of the late antique church of Mar Yakub in Nusaybin. When, in the following year, Wrench made his way back to Istanbul, he took a long detour through the Tur Abdin, the heartland of Syriac monasticism. The expedition frequently visited American missionaries along their route, celebrating Christmas in Mardin with the local mission of the American Board in Turkey. But as they pressed on across the steppes that today form the far northeastern corner of Syria, the strains of six months' steady travel began to show. The travellers gained one last burst of strength in the new year, as they visited the great Mesopotamian sites of Nimrud and Nineveh. Wrench supplemented his notes on the "first Babylonian dynasty" with a clutch of pressed flowers.

But their courageous story has been lost to Cornell history - until now. Blizzards, bad roads, an "unsettled" country: the challenges facing the three Cornellians who sailed from New York for the eastern Mediterranean in 1907 were legion. But their fourteen months' campaign in the Ottoman Empire nevertheless resulted in photographs, pottery, and copies of numerous Hittite inscriptions, many newly discovered or previously thought to be illegible. It took three years before their study of those inscriptions appeared, and while its title page conveyed its academic interest, it tells us nothing of the passion and commitment that made it possible. The story of the men behind the study and their adventures abroad has been lost to Cornell history-until now. The organizer, John Robert Sitlington Sterrett, spent the late 1800s traveling from one end of Anatolia to the other, where he established a reputation as an expert on Greek inscriptions. In 1901 he became Professor of Greek at Cornell, where he instilled his own love of travel in his most promising students.

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Riled by what he called the "deliberate distortion" of history in Stone Dreams, President Aliyev revoked Aylisli’s pension and title of "People’s Writer." Aylisli’s writings were removed from school curricula, his books were publicly burned, and his family members were fired from their jobs. A group of international intellectuals later nominated Aylisli for the Nobel Peace Prize. Aylisli, who has been under de facto house arrest since Stone Dreams’s release, protested Azerbaijan’s destruction of Nakhichevan’s Armenian past for many years. He reportedly witnessed the destruction of Agulis’s churches and quit his position as Member of Azerbaijan’s Parliament in protest of the late 2005 demolition of Djulfa. It is often said that Aylisli decided to write Stone Dreams upon watching a video of Djulfa’s destruction. But a newly released book reveals that Aylisli first protested the destruction in Nakhichevan nearly a decade earlier. I thought the mass destruction of Armenian monuments in Nakhchivan was a great shame of our nation." Aylisli’s new essay also references a telegram he sent to Azerbaijan’s president in 1997, the year "when that monstrous vandalism had just begun." Aylisili had actually published the text of this telegram in 2011 in a privately released Russian-language book with a circulation of just 50 copies.

Ethical or not, the UNESCO-Azerbaijan rapport has undoubtedly contributed to international silence over the destruction of Nakhichevan’s Armenian past. Unable to hold Azerbaijan accountable for the purge of Nakhichevan’s Armenian cultural heritage, Armenians and their allies have rethought what forms justice might take. In 2010, Armenia convinced a multi-state UNESCO committee to declare "the symbolism and craftsmanship of khachkars" part of UN-designated Intangible Cultural Heritage - a posthumous yet implicit tribute to Djulfa. Several replica Djulfa khachkars have been erected across the world, including at the Council of Europe headquarters in Strasbourg, France and the Colorado State Capitol in Denver, US. The Australian Catholic University’s former Julfa Cemetery Digital Repatriation Project, the brainchild of Judith Crispin, aimed to virtually recreate Djulfa with 3D imaging technologies. The Project was created in part "to demonstrate to those who destroy world heritage that their efforts are in vain," states digital humanities specialist Harold Short.